During the last 30 years, Patrick Dougherty has created more than 250 Stickwork sculptures for museums, colleges, cities, and parks around the world. Combining his carpentry skills with his love of nature, Dougherty uses rudimentary building techniques to experiment with tree saplings as construction material.
In 1982 his first work, Maple Body Wrap, was included in the North Carolina Biennial Artists’ Exhibition, sponsored by the North Carolina Museum of Art. In the following year, he had his first one-person show titled Waitin’ It Out in Maple at the Southeastern Center for Contemporary Art in Winston-Salem, North Carolina.
His work quickly evolved from single pieces on conventional pedestals to monumental scale environmental works, which required saplings by the truckloads. His sculpture has been seen worldwide–from Scotland to Japan to Brussels, and all over the United States.
He has received numerous awards, including the 2011 Factor Prize for Southern Art, North Carolina Artist Fellowship Award, Pollock-Krasner Foundation Grant, Henry Moore Foundation Fellowship, Japan-US Creative Arts Fellowship, and National Endowment for the Arts Fellowship. Princeton Architectural Press published a major book about Dougherty and his work in 2009.